Reamping

The Reamp Station combines two studio essentials in one chassis: an active DI box for pristine recordings of any instrument, and the JCR high-performance Reamper to feed those recordings to your guitar amps and pedals during mixdown.

• Record high-quality direct tracks using the active DI
• Reamp any recorded tracks through pedals and amps
• Connect easily with XLR, 1/4″ TRS, and 3.5mm Reamp inputs
• Streamline your studio recording and mixing workflow
• Unlock new creative possibilities for your mixes

A great Reamping session starts with a clean, high-quality direct recording -which is why the DI you choose is so important. The active DI portion of the Reamp Station is based off of Radial's world-class J48, tweaked slightly to provide maximum benefit for recording tracks that can be Reamped later on. Among these changes is a buffer switch, which engages a unity-gain Class-A buffer circuit on the Thru output, preventing any loading down of passive pickups when connected to an amplifier and preserving the natural tone of your instrument. The DI circuit is powered via 48V phantom from your interface or mixer, so there's no need for a separate power supply, and a front panel LED indicator for visual confirmation that power is being received.

The Reamper side of the Reamp Station will be familiar to many professional recording engineers and home enthusiasts alike. It takes the circuit from the Reamp JCR, originally designed by acclaimed engineer John Cuniberti, and ports it into a multi-use studio tool. The JCR features a custom-wound 'Made in the USA' transformer to convert the line-level signals from an audio interface so they are optimized to feed guitar pedals and amplifiers, while also including a level control, 3-position filter, and a mute switch to protect your ears when adjusting mic placement on a live amp. In addition to the XLR and balanced 1/4" TRS inputs for the Reamper, a 3.5mm mini input is also included for easy connection to mobile devices such as smartphones and tablets to streamline playback and encourage additional creativity.

With a world-class DI box and the JCR Reamper under the hood, the Reamp Station is the latest must-have piece of gear for studio recording. With this powerful unit next to your amplifier, you can seamlessly switch from recording a performance to Reamping and exploring new creative sounds, while knowing that you'll achieve the highest audio quality during each step. It's also rack mountable using the optional SA Series rack adaptor, and Link In/Out connections are provided to daisy-chain multiple Reamp Stations together for larger setups.

The Reamp HP takes the signal from a headphone output jack on an audio interface or a mobile device and converts it to feed mono guitar amps and effects pedals for Reamping.

• Play prerecorded tracks through amps and pedals
• Easily Reamp from any interface or playback device
• 1/4″ and 3.5mm inputs connect to a headphone output jack
• Transformer isolated for low-noise recordings
• Explore new creative options and improve your mixes

The Reamp HP is designed to accept the signal from the headphone output jack on your interface, making it incredibly easy to connect on the fly without having to repatch cables or dig around behind your studio desk or equipment rack. Simply assign the track you want to Reamp to the right channel of your headphone output and you're ready to feed guitar, bass, or even vocal tracks through your amplifier to record and experiment with new tones and settings. You can even assign stereo tracks to the Reamp HP and sum them down using the dedicated mono switch on the device.

The Reamp HP features both 1/4" and 3.5mm inputs, so you aren't limited to just Reamping tracks from your audio interface. Connect a smartphone or tablet to the Reamp HP and create new sounds by combining a sound creation app with your favorite pedals and amps. The Reamp HP is equipped with an isolation transformer and a ground lift switch to eliminate hum and buzz and help produce a clean recording, along with a level control for fine-tuning the output signal.

The Radial X-Amp™ is an active Reamper™ that allows the engineer to play a pre-recorded track back through guitar amplifiers and pedals. This opens the door to explore new musical sounds and spur on the creative process so that your recording stands out.

• Active Reamp® with two outputs
• 100% discrete class-A signal path
• Transformer isolated to eliminate noise
• LED peak indicator and level control

Reamp for professionals

Following the critically acclaimed Radial JD7™ Injector, the X-Amp employs a unique class-A circuit design that has been optimized for use with guitars. Features include balanced line level input with LED peak indicator and level control, class-A circuit topology for optimal reach and frequency response, a transformer isolated output to eliminate hum and buzz caused by ground loops, a 180° polarity reverse switch to bring both amps into phase, and a dual ground lift switch for noise-free operation.

Original Reamp Circuit

The Reamp® JCR™ is a passive Reamper™ that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. Best of all, you can Reamp the track later as the production develops.

• Lets you re-record tracks through a guitar or bass amp
• Original Reamp® circuit designed by John Cuniberti
• Plug and play easy to use passive design
• Improves productivity while expanding creative options

Play now, perfect later

The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The latest Radial version features separate XLR and ¼" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio.

For years, Reamping has been the ‘secret weapon’ for countless recordings by the biggest names in the business! Few realize that recording engineers not only Reamp guitars, but often Reamp bass, keyboards, drums and even voice as a means to bring creative new tones and sonic signatures to their music.

• Play pre-recorded tracks through amps and pedals
• On board level control for fine tuning amp level
• Transformer isolated to eliminate buzz and hum
• Opens the door to creative new tones and textures

Reamping for every studio

The Radial ProRMP is a 100% passive Reamper. This means it does not require any external powering. The magic behind the ProRMP's great tone is a custom wound transformer that at once converts the balanced line level source to a hi-z output for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound. Plug and play easy to use, the ProRMP connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit!

• Combination J48 and X-Amp in convenient kit
• Use the J48 DI for recording the track
• Use the X-Amp to Reamp back to your amps
• Foam-filled full surround Zebracase included

The Radial Reamp Kit includes everything you need to Reamp in a single case. Start by recording with the industry standard Radial J48 direct box. This active DI is ideal for Reamping as it will not load down the pickups and will deliver the true sound of the instrument without distortion or artifact.

Then Reamp to your hearts content using the Radial X-Amp Reamper. This active Reamper has two buffered outputs for twice the fun! Run two amps at the same time, add pedals… try Reamping bass, drums and keys. Once you get started you will wonder how you ever recorded without it.

The EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities.

• Connect stereo guitar pedals to balanced recording gear
• Front panel 1/4″ inputs and outputs for pedals
• Send & Receive controls to optimize gain staging
• Utilize your pedal collection in new & unique ways

The EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection.

Guitar Effects Interface & Reamp Box

The EXTC-SA™ is a unique interface for connecting guitar pedals to the inputs and outputs of pro audio equipment such as recording interfaces or mixing consoles, allowing you to incorporate your pedals in new and creative ways.

• Balanced interface for guitar effects pedals
• Separate send & receive controls optimize signal path
• Transformer isolation helps eliminate ground loops
• Creative tool helps your mix stand out from the rest

Reamp and mix through your guitar pedals

The EXTC allows you to get creative with your effects pedals, using them in your mix on any recorded track. Add a touch of distortion or chorus to a lead vocal, flange on a violin, or fuzz on piano - the possibilities are endless. The EXTC takes the line level balanced output of your recording interface and converts it so an instrument level high-Z output optimized for guitar effects pedals, so you can Reamp any track through your pedalboard with ease. Once you've run the signal through your pedals, connect the output back into the EXTC and it will boost it up to a balanced line level so you can connect directly to the input of your recording interface. The EXTC features Radial's class-A buffer for the best audio quality and transformer isolation to eliminate any buzz or hum - so you can focus your attention on using your pedals in new and exciting applications.

The SGI™ is a high performance line driver system for guitars that takes an unbalanced instrument signal and allows you to drive it as far as 100 meters (300ft) without noise.

• Balanced line driver for guitar and bass
• Send signal over 100 meters (300ft) without loss
• 100% discrete class-A circuit with Drag control
• Delivers natural tone to off-stage amplifiers

Take your tone further

The SGI sends guitar signals across long distances without signal loss or noise, while retaining the original tone of the instrument. In the studio, it allows the guitarist to sit in the control room and connect to a distant guitar amp. On stage, the SGI can be used to play the guitar amp using off-stage isolation cabinets or it can be used to manage guitar signals to and from wireless systems, pedalboards and amplifiers. The SGI consists of two boxes: the SGI-TX transmitter and the SGI-RX receiver. The connection between the TX and RX is made using a standard balanced XLR microphone cable. To use, you simply plug your guitar into the SGI-TX input and connect your amp from the SGI-RX output and you are set to go. The SGI does all of the balancing, buffering and impedance matching for you.

The JD7™ is a guitar signal splitter that is able to drive as many as seven amplifiers at the same time without introducing noise, signal loss, or hum and buzz from ground loops.

• Drive up to 7 amplifiers and 2 effects loops at the same time
• Jensen transformer isolation eliminates hum and buzz
• Built-in Radial Direct box and Reamp capabilities
• Drag control load correction for natural tone

Natural tone, quiet operation

The JD7 allows you to feed up to seven amplifiers simultaneously, with premium Jensen transformers on the outputs that ensure distortion-free signal transfer while blocking hum and buzz from ground loops. To help retain the natural tone of your instrument, Drag control load correction is also featured on the input so you won't lose the tone and feel of connecting your guitar directly to an amplifier.

Record direct and Reamp through multiple amps

The JD7 has a built-in Radial DI box, so you can take a clean guitar track directly to your recording interface while simultaneously playing through multiple amplifiers. A Reamp input allows you to send your recorded guitar track from your recording device back through any or all of your amps, so you can focus on the performance and have the freedom to tweak your amps and microphones later on.

The SGI-44™ is a line driver for guitars and basses that connects to the JX-44 to allow a remote pedalboard to be connected without signal loss or noise.

• Balanced line driver for JX-44 guitar & amp switcher
• Send signal over 100 meters (300ft) without loss
• 100% discrete class-A circuit with Drag control
• Bidirectional send & receive effects router

Connect to your pedalboard remotely

The SGI-44 can send guitar signals over long distances without signal loss or noise, with built-in send and receive functions for bidirectional signal routing. When used in conjunction with the JX-44 guitar and amp switcher, it allows you to keep your pedalboard at your feet on stage, while instrument switching and amp control is managed remotely by your stage tech. A pair of SGI-44s can also be used together to extend the effects loop of your amplifier to any point on stage, so you can keep your favorite pedals connected to the amp's effects loop no matter how far away your amp is located. The SGI-44 takes care of all the balancing, buffering, and impedance matching to ensure your signals are delivered without noise or distortion.