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Preamps/Förstärkare

Preamps ökar en mikrofon- eller instrumentsignal upp till linjenivå vilket gör att utgången matar ett inspelningsgränssnitt eller andra moduler som EQ:er eller kompressorer.

Radial PowerPre -Mic Preamplifier
R700 0110 00
Radial PowerPre Microphone Preamplifier
The PowerPre™ is a high performance microphone preamplifier designed for use with any 500 series modular rack, featuring 100% discrete components for optimal signal transfer and a Hammond output transformer for a smooth and warm tone.
  • Hand selected 100% discrete electronics
  • Hammond broadcast transformer output
  • AccuState low-noise input circuit
  • 3-position Vox control for added air or punch
Quiet operation with added character
The PowerPre is designed for clean low-noise operation, with an AccuState input stage what automatically optimizes signal-to-noise at all levels with up to 55dB of gain available. A Hammond broadcast transformer on the output provides vintage warmth and a classic smooth tone, and a Vox switch allows you to add extra character to the signal: The Breath setting adds high frequency air that can accentuate a vocal track or add harmonic content to an acoustic guitar, while the Punch setting adds body when recording electric guitar or it can be used to fatten up bass tracks.
Radial JDV-Pre Instrument Preamp
R700 0120 00
Radial JDV-Pre Instrument Preamplifier
The JDV-Pre™ is a 500 series instrument preamp designed specifically to capture the natural tone and distinct character of the instrument.
  • 100% discrete class-A instrument preamplifier
  • Feed-forward input stage with zero negative feedback
  • AccuState gain control for low noise at all levels
  • Variable low frequency cut for acoustic instruments
Capture the natural tone of your instrument
The JDV-Pre utilizes a class-A amplifier for optimal signal transfer. But unlike all other amplifier designs, the JDV-Pre's front end is completely void of the negative feedback loops normally used to stabilize the circuit. This revolutionary design eliminates the use of phase-cancellation which inevitably degrades the signal. This is augmented with Drag Control™ load correction that allows the engineer to optimize the load on the instrument pickup for the most natural rendering. A fully variable high-pass filter provides additional advantages for acoustic instruments by gently rolling off the low end to eliminate troublesome body resonance while allowing each instrument to sit more comfortably in the mix.