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The JDV-Pre™ is a 500 series instrument preamp designed specifically to capture the natural tone and distinct character of the instrument.

• 100% discrete class-A instrument preamplifier
• Feed-forward input stage with zero negative feedback
• AccuState gain control for low noise at all levels
• Variable low frequency cut for acoustic instruments

Capture the natural tone of your instrument

The JDV-Pre utilizes a class-A amplifier for optimal signal transfer. But unlike all other amplifier designs, the JDV-Pre's front end is completely void of the negative feedback loops normally used to stabilize the circuit. This revolutionary design eliminates the use of phase-cancellation which inevitably degrades the signal. This is augmented with Drag Control™ load correction that allows the engineer to optimize the load on the instrument pickup for the most natural rendering. A fully variable high-pass filter provides additional advantages for acoustic instruments by gently rolling off the low end to eliminate troublesome body resonance while allowing each instrument to sit more comfortably in the mix.

 

Amplifier Interface and Cabinet Simulator

The JDX-500 is a 500 series guitar amplifier interface that allows you to capture the tone of a guitar amp and cabinet without the need for a microphone.

• Guitar amp interface and cabinet simulator
• Direct amp recording without a microphone
• Works equally well on electric guitar and bass
• Delivers consistent tone every time

Record the tone of your amp without a microphone

The JDX-500 makes it easy to get a consistent and natural sounding amp recording by taking a feed directly from your amplifier and employing Radial's popular JDX speaker emulation, producing an effect similar to placing a dynamic microphone in front of a 4x12 half stack cabinet. This gives you the same tone for every recording session, without forcing you to rely on the same microphones to be available, or spending valuable studio time fiddling with mic placement to match previous recordings. The JDX-500 delivers the sound of your amp without any fuss, simplifying your recording setup without sacrificing on tone.

 

The Tossover is a unique 500 series module that pairs with any Radial power rack and enables you to frequency-divide the audio signal path into two stems to process the high and low frequencies separately.

• Divide signal for frequency specific processing
• Produce exciting effects by parallel processing
• Create low-pass, high-pass, and band-pass filters
• Choice of 12, 18 and 24dB per octave slopes

Combine with a Radial 500 series rack for dual outputs

The Tossover combines a set of low-pass and high-pass filters, each with variable frequency, amplitude, and slope settings. Each filter can be accessed individually, or used in combination for a band-pass effect. When used with a Radial power rack such as the PowerStrip or the Workhorse, the Tossover is doubly useful, as the Omniport output common to these racks allows you to divide one signal into two - opening up the option for parallel processing where the low and high frequencies are processed separately. This enables you to split a bass track and process the low frequency stem using a compressor while processing the high frequencies with an effect like a tube distortion pedal, blending the two stems together later to create new and exciting effects.

The Radial StageBug SB-7 Earmuff is a compact device that solves the problem by enabling the artist to turn off one of the phones, thus eliminating the bleed problem altogether.

• Turns off one side of headphones to stop bleed
• Artist can hear both playback and instrument
• Level control enables artist to set ideal volume
• Completely passive, does not require power

When overdubbing in an orchestral setting, the artist is usually listening to a pre-recorded track while playing his or her part of the score. To better hear the pitch and tonality of the instrument, the artist will often remove one side of the headphones by pulling it away from one ear. In doing so, the headphone level is increased to compensate and this in turn, causes sound from the open phone to bleed into the recording microphone, contaminating the mix. This is a common problem when recording violins, flutes and other orchestral instruments.

The design begins with a ¼” stereo TRS input on one side that accepts a standard headphone mix along with a level control. On the output side, a choice of standard ¼” headphone or 3.5mm (1/8″) ear bud outputs provide instant connectivity without the need of a special adaptor. A mono switch enables the artist to sum the left-right stereo playback track to mono so that all instruments are routed to both sides of the headphones. Then, depressing the ‘off’ switch mutes the left ear of the headphones to eliminate bleed while leaving the right side unaffected. One simply adjusts the on-board level control to suit. Because the SB-7 Earmuff is completely passive, no power is needed nor will it introduce any distortion or artefact into the signal path. Plug it in and it is basically ready to go.

Compact, easy to use and affordable, the Radial StageBug SB-7 Earmuff provides a simple, yet elegant solution to a long standing problem.

The JR2-DT is a desk-top version of the JR2. It features two top-mounted activator switches to control AB and Mute functions. These functions may change depending on the Radial product being connected. The JR2-DT connects to the device using a choice of XLR or ¼” TRS connection and standard balanced cable. The JR2-DT also derives its power from the Radial device, eliminating the need for local power. It comes with both an isolation Pad for ‘free placement’ and a Velcro strip to attach to a desk top, work surface or flight case. An optional L bracket enables the JR2-DT to be permanently mounted to a podium, work surface or affixed to a standard 19″ rack rail.

Transparent Overdrive and Class-A Boost

The North-Star is a true-bypass, dual-function pedal that features a transparent overdrive circuit and a class-A power booster with a built-in effects loop.

• Transparent overdrive provides maximum note articulation
• Class-A power booster provides up to +24dB of clean gain
• True-bypass switching to retain your tone
• Standard 9V power supply operation

Let every note shine

The North-Star is a compact yet powerful dual-function pedal that features an independent overdrive circuit and an independent boost circuit. These two features can be used on their own or in combination for a wide range of tonal options ranging from subtle chunk to singing distortion. Regardless where you set the drive, the North-Star’s transparent overdrive circuit is designed to maintain ultimate clarity for maximum note articulation. Its class-A boost circuit provides up to +24dB of clean gain and simultaneously activates its built-in effects loop to bring in effects for soloing.

Two-channel High-gain Plexi Distortion Pedal

The Plexitube™ is a true-bypass, dual-channel tube distortion pedal that utilizes the warmth and harmonics from a 12AX7 tube to deliver over-the-top distortion tones.

• The best 'Marshall in a pedal' of all time
• High-gain, low noise Plexi-style tube distortion
• Powerful post-distortion EQ controls
• Channel 2 features insert loop for effects pedals
• True-bypass switching to retain your tone

Two channels of colossal high-gain

The Plexitube is an extremely powerful dual-channel tube distortion pedal that offers a rich, harmonic high-gain experience like no other. Designed for practicality, the Plexitube’s dual channels make it a one-stop-shop for clean, rhythm and lead switching. Channel 1 is optimized for massive rhythm tones, whereas channel 2 has been optimized to produce razor-sharp cut and smooth sustaining mids to ensure that your solos are heard. Channel 2 is further augmented with an effects loop to eliminate tap dancing. The metal gods are calling!

 

BigShot™ MIX - true-bypass Effects mixer

• Låter dig mixa in vilken effekt som helst i din signalväg
• Class-A-krets bibehåller instrumentets naturliga ton
• Buffrad loop för att reducera oönskade pedalljud
• Kompakt och stryktålig för pedalbrädor
• tydlig LED statusindikator

 

Äntligen. En produkt som gör det möjligt att mixa direktljudet från ett instrument med effekter på samma sätt som ett professionellt mixerbord gör det möjligt att addera reverb på en torr röst.

 

BigShot MIX är designad för den kräsne gitarristen eller basisten som vill ha med coola effektpedaler i signalkedjan, utan det brus och missljud orsakade av deras långt från ideala kretsar och billiga buffrar.

 

MIX har 100% diskreta, rena class-A-kretsar för att säkerställa att det naturliga ljudet från instrumentet bibehålls. Kontaktpanelen är utrustad med en enkel effektloop med ¼” tele send- och returkontakter.

 

En infälld MIX-kontroll ger dig möjlighet att justera den exakta balansen mellan din torra signal och effekten.

 

Det bästa av allt är att den natuliga tonen från instrumentet bibehålls.

 

The Elevator is a unique multi-level power booster and buffer that provides the guitarist with a degree of customization to better match the playing style with the guitar, amplifier and pedal chain.

The design begins with a 100% discrete class-A signal path that is completely void of integrated circuits (ICs). Each gain stage is carefully crafted for optimal gain without introducing extraordinary levels of phase-cancelling negative feedback to control the ICs.

This circuit topology eliminates problems, such as zero-cross distortion, which tends to cause other boosters to sound harsh.

On the ground floor (Level 1), a selector switch allows you to set the Elevator to true-bypass for those that prefer a direct feed to the amp when the power booster is out of the circuit. Level-2 lets you activate a unity gain buffer that will drive your guitar signal to 15 meters (50') without noise.

This eliminates problems such as tone loss due to cables and popping when switching with high gain amps. This setting also activates the level-3 Drag, Control load correction circuit that replicates the 'tone and feel' of being connected directly to your amp.

Level-4 pushes things up a notch with a 'baseline' power booster that drives the front end of the amp for more crunch and bite.

This recessed 'set & forget' control is particularly useful with vintage amps that produce less gain than today's more modern designs. Level-5 is a super clean power booster that is activated using the footswitch. This variable booster delivers up to 18dB of pure gain for soloing.

Level-6 is a three-position mid boost switch that lets you increase the mid range content for added sustain.

The compact enclosure fits nicely on any pedalboard and is powered using a standard Boss-style 9V DC power supply.

 A sturdy footswitch controls the internal gold-sealed military grade relay for maximum durability while the solid 14 gauge steel outer casing protects the sensitive internal electronics, eliminating opportunity to torque the PCB and cause premature failure.

These features combine to make the Elevator one of the most powerful sounding power boosters ever.