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DPA 2017 Shotgun Microphone
2017

2017 Shotgun Microphone

  • Accurate, clean sound from the primary sound source combines effortlessly with natural sound captured off-axis
  • Extraordinary durability, with reinforced construction to perform in challenging environments, including high humidity
  • Outstanding off-axis rejection for optimal isolation of the desired sound source
  • Extremely directional pick-up pattern, with an effective interference tube in a compact housing
  • Easy to set up, position and use in fixed positions, on booms and on camera systems
  • Low self-noise, for excellent performance in quiet environments or with many open microphones

The most durable shotgun mic ever

The 2017 Shotgun Microphone is an extremely directional mic that combines crystal clear, authentic sound and stable, consistent performance under harsh conditions.

Its acoustical performance sets it apart from any competition. It has efficient off-axis rejection combined with an off-axis frequency response that is much more linear than most similar shotgun mics on the market. These are exactly the capabilities that result in authentic sound.

In addition, the 2017 performs consistently in a variety of conditions, like cold weather and humid environments as well as in generally harsh situations.

Finally, although the interference tube surrounding the capsule is quite long, the entire mic is contained in a shorter, lighter mic housing than many other mics that it outperforms. This makes the 2017 a practical choice in a wide range of applications.

 

Accurate, natural sound

2017 is designed to ensure that the sound from the primary sound source combines effortlessly with natural sound captured off-axis. The sound is clear and lifelike, including the heavily-attenuated off-axis input. It exhibits the same non-coloration of the off-axis response, i.e., it sounds like what is coming in on-axis, just damped accordingly with the side and rear entries.

Many other shotgun mics don’t pick up off-axis sound naturally, making, for example, the crowd noise sound more like a waterfall or even completely unrecognizable.

Extraordinary durability

The 2017 is constructed to withstand rough handling as well as difficult situations, such as cold climates and humidity.

We have designed the encapsulating structure without moving mechanical parts and have found just the right thickness of material and ideal uniform pattern of slits on the grid. These things combined make the microphone extremely resistant to mechanical impact. In addition, the materials used in the capsule design and electronics ensure the mic is resistant to moisture, temperature and condensation issues.

The 2017 has a thick, robust body construction of brass that is exceptionally durable and known for its corrosion resistance and tolerance against metal fatigue. In addition, the surfaces of the mic are treated with a protective black chrome finish, which ensures more graceful ageing.

 

Outstanding off-axis rejection

2017, like all DPA’s directional mics, has outstanding performance off-axis. Due to the expertly designed interference tube technology, all off-axis input is highly attenuated.

This means that the 2017 offers comparable directionality as comparable mics on the market, but due to the well-crafted design, the off-axis pickup is much more balanced as well as uniform. This gives the user a well-balanced compromise between natural off-axis sound and maximal off-axis rejection.

Extremely directional pick-up pattern

The 2017 is an extremely directional shotgun microphone. It shows impressive attenuation at 90° (around -10 dB) and maximal rejection around 125° (more than -20 dB). Its polar pattern provides a more even pickup of “on-scene” (0°) sound sources than many widely-used shotgun microphones and a larger rejection of out-of-scene noises, thereby achieving a better overall performance than many competing mics on the market.

Easy to set up, position and use

2017 is shorter, lighter and easier to use than competitive mics. Its smaller dimensions allow it to fit in smaller wind protection units and, since there are no buttons to push on it, you can place it in its protection unit and forget about it.

 

In addition, the carefully-designed interference tube, combined with the uniform 360° grid, ensures consistent results even if the actual microphone gets rotated around the central axis. Other shotguns, with a less uniform grid pattern, suffer from shifts in sound color, if the mic is unintentionally rotated.

Low self-noise

With an extreme SPL (Sound Pressure Level) handling of 143 dB SPL Peak, low self-noise of 13 dB(A) and a 130 dB dynamic range, the 2017 excels where other good shotgun microphones fail, making it useful in applications where shotguns traditionally do not perform well.

Low self-noise is useful when you need to capture/amplify quiet sources or when many microphones are open at the same time.

Thoroughly tested to excel in the harshest situations

2017 has lived up to our testing protocols that evaluate its physical robustness specifically regarding mechanical impact and humidity and condensation resistance.

Several tests have been conducted to confirm that the microphone’s functionality is not affected by repeated rolling off shelves or tilting over on a mic stand onto a hardwood floor right onto the tip of the microphone.

In addition, the microphone survives exposure to direct rain showers, and dries up quickly to return to perfect operation faster than many other shotguns on the market.

Testing has shown that the 2017 can consistently and easily withstand and recover from condensation phenomenon, on par with the most stable shotgun mics on the market.

Design choices by R&D

Every decision was made by optimizing theoretical algorithms and performing extensive design modelling. This scientific approach allowed us to understand and break apart the dependencies between approximately 100 parameters, each of which influences mic performance. In this way, we could identify and overcome challenges and, in the end, design the shotgun mic that we envisioned, without compromising on clarity, consistency or durability.

Comparing the 2017 and 4017

While both the 2017 and 4017 are high-quality, professional shotgun mics, they do have their differences. Here is a quick rundown of key features to help you choose the right mic for your situation. 

Frequency response

The 2017 has a comparable frequency response to the 4017C, but the 2017 low-cut filter @60 Hz results in an earlier low-end roll-off than in the 4017C. Using the 4017 with the MMP-B preamp, which has a built-in roll-off @ 50 Hz and a switchable first-order roll-off @ 120 Hz, gives more options.   

Sensitivity

The 2017 has a slightly higher sensitivity than the 4017 (with both the MMP-B and MMP-C preamps) to keep the self-noise of the microphone as low as you would expect from a microphone in this class.

Acoustic performance

The sonic character of 2017 is very similar to the 4017. Although both the amplifier and capsule design is different, the 2017 still has the renowned DPA signature sound clarity.

Mechanical robustness

The housing of 2017 is thicker than the 4017’s which gives it greater resistance to mechanical impact but also makes it a heavier solution. If a lightweight shotgun mic is needed, for example on a boom pole, the 4017 is the right choice.

Modularity

The 2017 has a fixed capsule that cannot be removed. In comparison, the 4017 is modular so you can change the preamp. 

  2017 4017B
Cable drive capability 100 m (328 ft) 100 m (328 ft)
Capsule diameter 17 mm (0.67 in) 19 mm (0.75 in)
Cartridge type Pre-polarized condenser Pre-polarized condenser
Color Black Matte black
Common mode rejection ratio (CMRR) > 60 dB > 40 dB
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: signal - phase
Current consumption 1.8 mA 4.5 mA
Directional pattern Supercardioid at 1 kHz Supercardioid, lobe-shaped
Distortion, THD < 1% 140 dB SPL (143 dB SPL peak) 134 dB SPL RMS, 137 dB SPL peak
Dynamic range Typ. 130 dB Typ. 124 dB
Effective frequency range, ±2 dB, at 60 cm (23.6 in) 70 Hz to 18 kHz with typ. 2 dB soft boost at 15 kHz 70 Hz - 18 kHz with typ. 3 dB soft boost at 15 kHz
Equivalent noise level, A-weighted Typ. 13 dB(A) re. 20 µPa (max. 15 dB(A)) Typ. 13 dB(A) re. 20 µPa (max. 15 dB(A))
Equivalent noise level, ITU-R BS.468-4   Typ. 24 dB (max. 26 dB)
Frequency response 20 Hz - 20 kHz 20 Hz - 20 kHz, permanent third order high pass filter at 50 Hz
Max. SPL, THD 10% 145 dB SPL (148 dB SPL peak) 138 dB SPL peak
Maximum output voltage, RMS 8.7 V (21 dBu) 2.0 V
Microphone diameter 19 mm (0.75 in) 19 mm (0.75 in)
Microphone length 184 mm (7.2 in) 212 mm (8.3 in)
Minimum load impedance 2 kΩ 2 kΩ
Output balance principle Impedance balancing with Active Drive Signal balanced
Polarity +V at pin 2 for positive sound pressure +V at pin 2 for positive sound pressure
Power supply (for full performance) P48 (Phantom Power) P48 (Phantom Power)
Principle of operation Pressure gradient, with interference tube Pressure gradient, with interference tube
Rated output impedance 60 Ω 100 Ω
Relative humidity (RH) Up to 90 % Up to 90%
Sensitivity, nominal, ±2 dB at 1 kHz 25 mV/Pa (± 2 dB ) 19 mV/Pa; -34.4 dB re. 1 V/Pa
Switchable attenuator, filters etc.   High boost: +4 dB at 8 kHz. Low cut: First order filter, below 120 Hz
Temperature range -40°C to 45°C (-40°F to 113°F) -40°C to 45°C (-40°F to 113°F)
Weight 115 g

75g (2.65 oz)

 
 
GMX4L - Analog Mixer 4 Mic/line w/EQ +48V
GMX4L
GMX4L
GMX4L is a 4 Channel Analog Mixer with 4x Mic/Line inputs, 1x Auxiliary line input, 2xBalanced/Unbalanced outputs, Assignable +48V Phantom power on each input and an adjustable output limiter.
GMX4L, the compact 4 Channel Analog Mixer for streamlined audio control. With four Mic/Line inputs, an Auxiliary line input, and two Balanced/Unbalanced outputs, it's the perfect 1 RU solution. User-friendly controls and accessible advanced options make GMX4L ideal for any user. Customize your sound with individual input assignment and +48V Phantom power. The built-in limiter protects your system from peaks. Reliable and efficient, GMX4L integrates seamlessly with our amplifiers and GM44L matrix for a complete audio solution. Elevate your sound with GMX4L—precision for amplifiers and loudspeakers in one sleek package.
DPA Drum Microphone Kit
DDK4000
Capture the sublime, honest sound of the drum kit
DPA’s selection of mics for the drum kit is designed specifically to put the sound engineer in control of the sound. By starting with the clear, true sound of the entire kit, the engineer has the best starting point to shape the sound wanted for the situation. These mics guarantee a natural and precise sound reproduction of the entire kit. The specific mic placements prevent artefacts, bleed and other shadowing effects.
  • Natural and precise sound reproduction of the entire kit
  • A clean slate to convey the wanted “mood” to the audience
  • Specific mic placements prevent artefacts, bleed and other shadowing effects
  • Picks up the sound like the drummer hears his kit, thus no or minimum EQ is needed
 
What’s in the box
The DDK4000 Drum Microphone Kit contains the following mics and accessories.
 
Microphones
1 x 2012 Cardioid Microphone
2 x 2015 Wide Cardioid Microphone (Stereo Pair)
1 x 4055 Kick Drum Microphone
3 x 4099 Core Instrument Microphone, Extreme SPL
 
Accessories
3 x MicroDot Cable (CM2218B00)
3 x Drum Microphone Clip (DC4099)
3 x Adapter for MicroDot to 3-pin XLR (DAD6001)
DPA 2012 Compact cardioid mic
2012
DPA 2012 - Great close miking on any instrument on the live stage
The 2012 Compact Cardioid Microphone is an all-around generalist pencil mic that guarantees excellent results on any instrument on a live stage.
  • Durable, reinforced construction
  • Excellent transient response
  • Uniform cardioid directionality
  • Outstanding SPL handling
  • Natural and precise sound reproduction
The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range.
 
Durable, reinforced construction
The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.
 
Unmatched transient response
The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy.
 
Uniform cardioid directionality
The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way.
 
Outstanding SPL handling
The 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more.
 
Natural and precise sound reproduction
Like all other DPA microphones, the 2012 delivers pure, transparent sound quality.
 
Key applications
  • Snare drum
  • Hi-hats
  • Electric guitar cabinets
  • ​Piano
  • Percussion
  • Conga, bongos
  • Acoustic guitar
  • Horns
Specifications
  • Directional pattern: Cardioid
  • Principle of operation: Pressure gradient
  • Cartridge type: Pre-polarized condenser
  • Frequency response: 20 Hz - 20 kHz
  • Effective frequency range, ±2 dB, at 30 cm: 40 Hz to 20 kHz
  • Sensitivity, nominal, ±2 dB at 1 kHz: 8 mV/Pa; -42 dB re. 1 V/Pa
  • Equivalent noise level, A-weighted: Typ. 20 dB(A) re 20 µPa (max. 22 dB(A))
  • Distortion, THD < 1%: 148 dB SPL (151 dB SPL peak)
  • Dynamic range: Typ. 131 dB
  • Max. SPL, THD 10%: 153 dB SPL (156 dB SPL peak)
  • Switchable attenuator, filters etc.-
  • Rated output impedance: 60 Ω
  • Minimum load impedance: 2 kΩ
  • Cable drive capability: 100 m
  • Output balance principle: Impedance balancing with Active Drive
  • Common mode rejection ratio (CMRR)> 60 dB
  • Power supply (for full performance): P48 (Phantom Power)
  • Current consumption: 0.7 mA
  • Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
  • Color: Matte black
  • Weight: 83 g
  • Microphone diameter: 19 mm
  • Capsule diameter: 17 mm
  • Microphone length: 94 mm
  • Maximum output voltage, RMS: 8.7 V (21 dBu)
  • Polarity+V at pin 2 for positive sound pressure
  • Temperature range: -40°C to 45°C
  • Relative humidity (RH): Up to 90%
  • Sensitivity selection tolerance (at 1 kHz): ±1.5 dB
DPA 2015 Stereo pair with holders and windscreen
ST2015
DPA 2015 - Overhead mics for ambient pick up on the live stage
The 2015 Compact Wide Cardioid Microphone is for ambient pick up of a drum kit or other instrument groups.
  • Durable, reinforced construction
  • Uniform wide cardioid directionality
  • Spacious sound due to a wide cardioid pick-up pattern
  • Natural and precise sound reproduction
  • Compact design for unobtrusive placement on stage
In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit.
Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.
 
Durable, reinforced construction
The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.
 
Uniform cardioid directionality
The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way.
 
Spacious, wide cardioid pick-up pattern
The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage.
 
Natural and precise sound reproduction
Like all other DPA microphones, the 2015 delivers pure, transparent sound quality.
 
Compact design for unobtrusive placement on stage
Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.
 
Key applications
  • Overheads on drums
  • Grand piano, away or close to the strings
  • Horn groups
  • Vibraphones
  • Xylophones
  • Large marimbas
  • Other large instruments
Specifications
  • Directional pattern: Wide Cardioid
  • Principle of operation: Pressure gradient
  • Cartridge type: Pre-polarized condenser
  • Frequency response: 20 Hz - 20 kHz
  • Effective frequency range, ±2 dB, at 30 cm: 40 Hz to 18 kHz
  • Sensitivity, nominal, ±2 dB at 1 kHz: 12 mV/Pa; -37,7 dB re. 1 V/Pa
  • Equivalent noise level, A-weighted: Typ. 18 dB(A) re 20 µPa (max. 20 dB(A))
  • Distortion, THD < 1%: 147 dB SPL (150 dB SPL peak)
  • Dynamic range: Typ. 132 dB
  • Max. SPL, THD 10%: 150 dB SPL (153 dB SPL peak)
  • Switchable attenuator, filters etc.-
  • Rated output impedance: 60 Ω
  • Minimum load impedance: 2 kΩ
  • Cable drive capability: 100 m
  • Output balance principle: Impedance balancing with Active Drive
  • Common mode rejection ratio (CMRR)> 60 dB
  • Power supply (for full performance): P48 (Phantom Power)
  • Current consumption: 0.7 mA
  • Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
  • Color: Matte black
  • Weight: 83 g
  • Microphone diameter: 19 mm
  • Capsule diameter: 17 mm
  • Microphone length: 94 mm
  • Maximum output voltage, RMS: 8.7 V (21 dBu)
  • Polarity+V at pin 2 for positive sound pressure
  • Temperature range: -40°C to 45°C
  • Relative humidity (RH): Up to 90%
  • Sensitivity selection tolerance (at 1 kHz): ±1.5 dB
GM44L - Analog Audio Matrix 4 IN - 4 OUT
GM44L

GM44L

The GM44L is a versatile 4-zone analog audio matrix, perfect for managing multi-zone sound distribution in a variety of applications. It features 4 stereo line inputs with gain control, 4 stereo line outputs with treble and bass adjustment, and 4 zone input selectors. An auxiliary input can be independently assigned to each zone output and mixed with the selected input channel.
Designed with a dry contact input, the GM44L allows for muting all inputs except the priority auxiliary input for emergency purposes. Multiple GM44L units can be linked together to increase the number of outputs, thanks to 5 link outputs corresponding to each input (including Aux-In).
All connections are made using 3.5mm stereo jack connectors. The GM44L pairs perfectly with our GA201 amplifier, and up to 4 GA201 amps can be mounted in just 1 rack unit space with our G-RACKMINI2 accessory. This powerful combination creates an ideal solution for multi-zone sound distribution and public address applications in bars and restaurants, hospitality, corporate, conference, and residential settings.

Specifications

General
Type: 4-Zone Analog Matrix

Connections:

Input
  • 4x Line-In Stereo 3,5mm Jack
  • 1x Aux-In Stereo 3,5mm Jack
  • 1x Dry Contact In 3,5mm Jack
  • 1x 24V DC Power In
Output
  • 4x Line Out Stereo 3,5mm Jack
  • 5x Link Line Out 3,5mm Jack

Controllers: 

Front Panel
  • 4x Zone Input Selectors
  • 4x Input Signal Monitoring LEDs
Top Panel
  • 4x Input Gain Trimmers
  • 4x Output Bass Adjustment Trimmers
  • 4x Output Treble Adjustment Trimmers
Bottom Panel
  • 4x Aux-In Selection Dip Switch
  • 1x Dry Contact Type Dip Switch (NC/NO)
Rumble KU315 Subwoofwer 15", black
KU315

Rumble KU315

The Rumble-KU315, with its nominal rated power of 2000 W @ 4Ω, is the most powerful passive subwoofer in the Rumble series, the only in the series made of polyurea-coated birch plywood, and featuring a 15" neodymium transducer in an shallow and relatively slim box. Like any other Rumble subwoofer, rather than having reflex openings, the KU315 features two more 15” passive radiators that make sure that the transducer excursion is as linear as possible with minimum residual noise and ensure the device remains completely sealed off from foreign objects. This feature, together with the quality of durable materials and the upgrade to the SpeakOn NL4 connector for this model, make the Rumble-KU315 resistant to tough weather conditions and suitable for outdoor installations.
By recalling the dedicated presets, the K-ARRAY Kommander amplifiers are the best electronics to run any Rumble subwoofer, capable to balance perfectly all the settings you need to match with any mid-high speaker of the K-ARRAY’s catalog. This helps integrators to find their complete solutions in the same range of products.
A combination of extended frequency response with prodigious output and a discreet form factor make the KU315 the ideal solution for complex medium and large-format projects like clubs, lounges, theaters, cinemas and auditoria. Measuring 123 x 45 x 25 cm and weighing 40 kg, the KU315 is available in elegant black or subtle white and can be customized in any RAL color, making it easy to blend in a variety of environments.
 
Specifications
General
Type: Passive subwoofer
Transducers: 15” neodymium magnet woofer, 2 x 15” passive radiator
Frequency Response: 35 Hz – 150 Hz (-6 dB) (1)
Max SPL: 137 dB (peak) (2)
Rated Power: 2000 W
Coverage: Omni
Connectors: 1x SpeakON NL4 1+ 1-
Nominal Impedance: 4 Ω
 
Handling and Finishes
Dimensions (W x H x D): 1230 x 450 x 250 mm (3)
Weight: 40 kg
Material: polyurea coated birch plywood
Colors: Black, White, Custom RAL
 
Regulations
IP Rating: IP64 (4)
(1) With dedicated preset
(2) Maximum SPL is calculated using a signal with crest factor 4 (12dB) measured at 1 m.
(3) Removable rubber feet not included.
(4) More complete water protection with K-KUIP12 accessory.
Passive loudspeakers requires dedicated preset loaded on board of K-array amplifiers.
New materials and design are introduced
Nuance Select Monitor Controller
R800 2026 00
Nuance Select - Monitor Controller
The Nuance Select is a completely transparent studio monitoring system, giving you control over two sets of monitors and a subwoofer with zero sonic coloration.
  • Silently switch between two sets of monitors & a subwoofer
  • Dual stereo input sources with an assignable Aux output
  • Two independent headphone amplifiers with source selection
  • Extremely low distortion for complete transparency

Control without Coloration

The Nuance Select is a studio monitor controller designed so you can hear every single detail through your speakers, with a distortion profile so low that it cannot be measured by most audio testing equipment. Complete audio transparency is achieved through an innovative circuit that allows you to hear the true mix through your speakers without any sacrifice in audio quality, all while still providing you with total control over your monitor setup.

Looking the Part

Housed in a robust steel enclosure with a milled aluminum faceplate, the Nuance Select will fit the aesthetic of any studio space and easily incorporate into your workflow, with an ‘everything you need and nothing that you don’t’ approach to the feature set. Backlit monitor selection and control switches are complemented by oversized chrome knobs on the headphone and master level controls.

Inputs, Outputs, and Useful Add-ons

The Nuance Select features two sets of stereo source inputs, along with two sets of balanced TRS outputs for powered speakers. A full-range subwoofer output is also included that can be activated with either set of speakers as desired. Two independent headphone amplifiers are available for monitoring or control room tracking – each headphone output can be assigned to its own stereo source so you can feed a cue mix to an artist while monitoring the main mix yourself. The headphone outputs are provided on easily accessible front panel jacks, and a stereo Aux output is available on the rear panel that can be used to feed an additional headphone amplifier for live room tracking.