Mikrofonkit

• Sensitivity selected pair
• Acoustic authenticity
• Linear in a large frequency bandwidth
• Peli^TM Case transportation and protection

The DPA ST2006A is a complete DPA 2006A Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB.

As main AB stereo pair the 2006As deliver precise acoustic fingerprint and true tone. Orchestra, acoustic piano, guitar, wind instruments and choirs are among the most evident applications for this high-value-for-money pair.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone and accessory inlays.

Included in this kit

Two carefully matched 2006A omni microphones, sturdy Peli^TM case, holders, and windscreens.

• carefully matched microphones
• compact size and natural sound
• full-bodied sound from a small-bodied mic
• Peli^TM Case transportation and protection

Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings.

The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 4006C omni microphones, sturdy Peli^TM case, holders, grids and windscreens.

• Sensitivity selected pair
• Superb stage separation and level control
• All-round workhorses
• Peli^TM Case transportation and protection

The DPA ST2011A is a complete DPA 2011A Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain.

Finding its use on numerous stages and recording sessions, the ST2011A exhibits a previously unheard blend of clarity, richness and dynamic range, the 2011As perform close to much more exclusive microphone pairs.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 2011A cardioid microphones, sturdy Peli^TM case, holders, and windscreens.

• Sensitivity selected pair
• Superb stage separation and level control
• Low profile mounting options
• Peli^TM Case transportation and protection

The DPA ST2011C is a complete DPA 2011C Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain.

The compact design and controlled directionality of our versatile 2011Cs make them an excellent choice for spot mics for classical recording and on-stage close mics for live sound.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 2011C cardioid microphones, sturdy Peli^TM case, holders, grids and windscreens.

• carefully matched microphones
• high sensitivity, low noise-floor and extremely linear frequency
• Peli^TM case transportation and protection

The DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.

The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays.

Included in this kit
Two carefully matched 4006A omni microphones, sturdy Peli^TM case, holders, grids and windscreens.

• carefully matched microphones
• compact size and natural sound
• full-bodied sound from a small-bodied mic
• Peli^TM Case transportation and protection

Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings.

The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 4006C omni microphones, sturdy Peli^TM case, holders, grids and windscreens.

• World-wide cardioid reference mic
• Handles very high sound pressure levels
• Carefully matched within ±1 dB
• Peli^TM Case transportation and protection

4011A cardioids are exceptionally linear in their frequency response – also off axis, giving you the natural experience. They handle extremely high SPL and will therefore allow for close placement and are often used for piano recordings with a placement closer to the hammers or as overheads for drums.

The DPA ST4011A is a complete DPA 4011A Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4011A microphones are matched within ±1 dB on both frequency response and sensitivity.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlay.

Included in this kit

Two carefully matched 4011A cardioid microphones, sturdy Peli^TM case, holders, and windscreens.

• Excellent for both PA/Live and recording
• Carefully matched within ±1 dB
• Low profile mounting options
• Peli^TM Case transportation and protection

Whenever a small, lightweight, inconspicuous microphone for top-quality sound is required, the compact design and uniform unidirectional response of our versatile 4011C makes it the perfect choice. They are particularly popular as spot mics for classical recording and on-stage close mics for live sound.

The DPA ST4011C is a complete DPA 4011C Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4011C microphones are matched within ±1 dB on both frequency response and sensitivity.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit

Two carefully matched 4011C cardioid microphones, sturdy Peli^TM case, holders, and windscreens.

• Wide pickup area and natural sound

• Ambience pickup with some directionality

• Carefully matched within ±1 dB

• PeliTM Case transportation and protection

 

Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization.

 

The wide cardioid (also known as hemispheric) design covers a greater sound angle and is also an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra.

 

The DPA ST4015A is a complete DPA 4015A Stereo Pair with two carefully factory-matched wide cardioid microphones.

 

Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

 

The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity.

 

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

 

Included in this kit

Two carefully matched 4015A wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.

• Natural reproduction

• Carefully matched within ±1 dB

• Low profile – wide pickup area

• PeliTM Case transportation and protection

 

Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike.

 

Tremendously precise and natural sounding, the compact wide cardioids will excel when used on choirs, percussion setups, grand pianos, wind instruments, and much more.

 

Also useful as spot mics for classical recording, the 4015C blends very naturally in with the main pair.

 

The DPA ST4015C is a complete DPA 4015C Stereo Pair with two carefully factory-matched wide cardioid microphones.

 

Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

 

The specially selected DPA 4015C microphones are matched within ±1 dB on both frequency response and sensitivity.

 

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

 

Included in this kit
Two carefully matched 4015C wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.

3506A Stereo Kit with Matched 4006A Omnidirectional Microphones

DPA's wide and versatile pencil mic series is legendary in the high-end recording and film production industry. Delivering clean, accurate sound, the mics in this series are used by professionals, who understand sound and insist on only using the best.

We have collected our award-winning recording microphones in specialized stereo kits that contain the mics and accessories you need to capture fantastic sound no matter what your need. All kits are matched within either ±0.5 dB or ±1 dB depending on the kit you choose.

This is a complete stereo kit with two carefully factory-matched phantom powered 4006A Omnidirectional Condenser Microphones. The kit includes mics, windscreens, boom, holders, clips, and much more.

Even though the standard tolerances on our recording mics are already extremely low, a stereo match is even closer. These specially selected 4006A Omnidirectional Microphones are matched within ±0.5 dB on both frequency response and sensitivity.

For reference stereo recording, there is no better choice than a 4006A Omnidirectional Microphone. These omnidirectional condenser microphones are linear and true in character. They come as a hand-matched pair that offers the truest capture of stereo sound available.

The 4006 Omnidirectional Microphone

The 4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and linear frequency response from 10 to 20 kHz (±2 dB).

The 4006A Omnidirectional Microphone is a flexible solution. Engineers, broadcasters and musicians alike can achieve clean, natural and precise sound reproduction. This mic is ideal for A-B stereo pairs for symphonic concert hall recordings. It also excels on vocals, for close-miking all types of instruments and as an outdoor interview microphone.

A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic.

Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.

3511A Stereo Kit with Matched 4011A Cardioid Microphones

DPA's wide and versatile pencil mic series is legendary in the high-end recording and film production industry. Delivering clean, accurate sound, the mics in this series are used by professionals, who understand sound and insist on only using the best.

We have collected our award-winning recording microphones in specialized stereo kits that contain the mics and accessories you need to capture fantastic sound no matter what your need. All kits are matched within either ±0.5 dB or ±1 dB depending on the kit you choose.

This is a complete stereo kit with two 4011A Cardioid Microphones, carefully factory-matched within ±1 dB on frequency response and sensitivity in the microphone’s entire frequency bandwidth. The kit includes mics, windscreens, boom, holders, clips, and much more.

Features:

The 4011A Cardioid Microphone is renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy and extremely low distortion.

The 4011 Cardioid Microphone

The principal appeal of the 4011 Cardioid Microphone is its directional quality and attention to detail. This mic makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources.

It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone.

A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.

Specifications:

• Directional pattern: Cardioid
• Principle of operation: Pressure gradient
• Cartridge type: Pre-polarized condenser
• Frequency response: 20 Hz - 20 kHz
• Effective frequency range, ±2 dB, at 30 cm: 40 Hz - 20 kHz
• Sensitivity, nominal, ±2 dB at 1 kHz: 10 mV/Pa; -40 dB re. 1 V/Pa
• Equivalent noise level, A-weighted: Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A))
• Equivalent noise level, ITU-R BS.468-4: Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting)
• Distortion, THD < 1%: 136 dB SPL RMS, 139 dB SPL peak
• Dynamic range: Typ. 121 dB
• Max. SPL, THD 10%: 159 dB SPL peak
• Switchable attenuator, filters etc.: 0 dB / -20 dB
• Rated output impedance: 200 Ω
• Minimum load impedance: 2
• Cable drive capability: 100 m
• Output balance principle: Impedance balancing with Active Drive
• Common mode rejection ratio (CMRR): > 60 dB
• Power supply (for full performance): P48 (Phantom Power)
• Current consumption: 2.8 mA
• Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
• Weight: 158 g
• Microphone diameter: 19 mm
• Capsule diameter: 19 mm
• Microphone length: 170 mm
• Maximum output voltage, RMS: > 5 V
• Polarity: +V at pin 2 for positive sound pressure
• Temperature range: -40°C to 45°C
• Relative humidity (RH): Up to 90%
• Matching tolerance (frequency response and sensitivity): ±1 dB
• Phase deviation for kit: < 10°
• Colors: Matte black
•  

 

3511ES Stereo Kit with Matched 4011ES Cardioid Microphones

The 3511ES Stereo Kit is a versatile, compact piano kit, which is tailored specifically to accommodate the need for clean sound and anchored placement.

We have collected our award-winning recording microphones in specialized stereo kits that contain the mics and accessories you need to capture fantastic sound no matter what your need. All kits are matched within either ±0.5 dB or ±1 dB depending on the kit you choose.

Features:

This is a complete stereo kit with two compact 4011ES Cardioid Microphones, with active side cables. The mics are carefully factory-matched within ±1 dB on frequency response and sensitivity in the microphone’s entire frequency bandwidth. The kit includes mics, windscreens, holders, clips, and much more.

Ideal for unobtrusive spot miking, such as hanging or table use, the 4011ES Cardioid Microphone, Active Cable is an ultra-compact cardioid microphone from our modular recording mic series. The mic has a length of only 3.5 cm (1.4 in) and a low-key appearance.

The mic features an integrated cable solution. This allows it to be hung from the ceiling and create precise and repeatable positions and angles when spot miking orchestra sections or ambience atmospheres.

The 4011 Cardioid Microphone

The principal appeal of the 4011 Cardioid Microphone is its directional quality and attention to detail. This mic makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources.

It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels.

A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.

Specifications:

3532-SP Stereo Kit with Matched 4041-SP Omnidirectional Microphones

DPA's wide and versatile pencil mic series is legendary in the high-end recording and film production industry. Delivering clean, accurate sound, the mics in this series are used by professionals, who understand sound and insist on only using the best.

We have collected our award-winning recording microphones in specialized stereo kits that contain the mics and accessories you need to capture fantastic sound no matter what your need. All kits are matched within either ±0.5 dB or ±1 dB depending on the kit you choose.

Features:

• Modularity – interchangable capsules and preamplifiers
• Up to 120 dB dynamic range
• RF rejection between >60 and >40 dB
• Linear frequency response
• High SPL
• Superior gain before feedback

Specifications: