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The UA0639 Microphone Clip is based on a traditional design, but with additional modifications.

These changes ensure a tighter and firmer grip on the microphone, while still enabling it to be secured and removed repeatedly with ease. The clip is ideal for all Pencil Recording Microphones and other microphones with Ø19 mm housings.

The CSM4000 alias "The Radiator Mascot" is a shock mount specially designed for rubber suspension of Compact Microphones on standard microphone stands, the TB4000 Table Base or the MB4000 Magnet Base.

 

The recommended extra soft Rubber Mounts provides an efficient absorption of any vibrations, that might occur during use.

 

It is fitted with one DDS0019 Rubber Mount for Ø 19 mm microphones as standard, but can also be fitted with Rubber Mounts for both Ø 11-13 mm and Ø 16 mm microphones.

 

The robust plastic ring offers excellent protection of the microphone, if used for example on a drum kit.

 

The CSM4000 is fitted with a thread adapter, which allows usage on up to three of the most popular international standard threads used on microphone stands.

The CXO4000 holder features mounting of DPA Compact Cardioid microphones in both a coincident XY stereo configuration as well as in a near coincident ORTF combined time and intensity difference stereo configuration.

 

Two hooks in the middle of the stereo holder are for XY stereo, while two hooks on the side are for ORTF stereo.

 

It is even possible to use both stereo setups simultaneously in order to compare afterwards in the editing process or to record in surround sound using one front and one back-orientated stereo setup.

 

The lightweight holder is a very convenient and practical tool mounting on a single microphone stand and with the DPA compact microphones, taking up little space.

 

 Shock mounting is done with the EXY4000 Extension for Compact Stereo Holders and the UA0897 Shock Mount.

The holder is made of black anodized aluminium and ethyl propylene rubber rings to ensure durability and stability.

 

For flexibility, the holder also includes a thread adapter for attachment to most common microphone stands.

 

In order to receive an authentic reproduction of the total sound field (direct and ambient sound elements) it is extremely important to use microphones that have a linear and clean off-axis response.

 

Likewise, it is a critical factor that the microphone manufacturer is able to deliver two microphones that are, within a narrow tolerance, identical in frequency response and sensitivity.

 

DPA Microphones fulfil these demands.

Using pressure gradient (directional) microphones calls for more attention to suppressing vibrations from the microphone.

The SM1500 is a modular double pole construction on an adjustable mic stand base. Both omnidirectional and directional microphones – compact as well as larger – fit this line.

Based on the Rycote® Lyre™ suspension system almost any microphone can be used simply by adding another Lyre™ rubber piece. The more light weighted the microphone the softer the rubber should be.

The SM1500 shock mount design is extremely flexible, the holders can be mounted facing both upside and downside and the poles can be adjusted by pushing them forth and back.

For mounting in the piano frame (or any other magnetic surface) the GM1500 is a combination of magnet mount, gooseneck and shock mount. Both omnidirectional and directional microphones – compact as well as larger – fit this line.

Based on the Rycote® Lyre™ suspension system almost any microphone can be used simply by adding another Lyre™ rubber piece.

The shock mount is extremely flexible, the holders can be mounted facing both upside and downside and the poles can be adjusted by pushing them back and forth.

Cable for minimal visual appearance

The DAO4010 microphone cable using Mogami compact cable and an ultra slim DPA XLR housing will give the highest visual elegance, adding only a few millimeters further length to the microphone. Most of the connector will be locked and hidden in the microphone itself.

Used to mount a microphone on an instrument, the GSM4000 Gooseneck Mount is a combination of an 11.5 cm (4.5 in) long gooseneck and shock mount. You can use it together with your choice of instrument clip from our extensive range, so you can easily attach the Gooseneck Mount to your specific instrument.

The Gooseneck Mount is intended for use with any d:dicate™ Recording Microphone that fits into the holder. The versatile gooseneck provides stable and repeatable positioning. The GSM4000 has an integrated shock mount solution ensuring the perfect sound is not affected by, for example, handling noise. This mount can be used for close-miking instruments in the studio or for live performances.

This Gooseneck Mount allows you to create a wireless solution with your favorite Pencil Recording Microphone. A Pencil Microphone Capsule can be attached to a MMP-G Modular Active Cable, which then connects seamlessly onto the GSM4000 Gooseneck Mount. If you are looking for a wired solution, an XLR preamplifier version, the MMP-E Modular Active Cable for Pencil Mics, is also available.

This microphone holder fits all DPA large diaphragm and standard pencil microphones plus other mics with 19 mm (.75 in) housings.

It has a unique design, which ensures that the microphone is held securely at all times. It is best suited for use in permanent or semi-permanent set-ups, where the stability of the microphone is of important.

The UA0897 Shock Mount is designed for use in environments where vibration levels are unusually high. Its ultra-compact, robust design significantly reduces the amount of vibration that reaches the mic.

This shock mount was designed using modern vibration measuring techniques using Brüel & Kjær's world famous vibration test equipment. Unlike other shock mounts, the vibration reduction is clearly specified. It can be used stand mounted in the studio or in hand-held boom applications.

Use extra soft rubber mounts for lightweight microphones and medium soft rubber mounts for heavier types.

The UA0897 Shock Mount is supplied as standard with a Rubber Mount for 19 mm microphones. It is fitted with a thread adapter, which allows it to be used on up to three of the most popular international standard threads used on microphone stands.

This is an optional accessory for all (short) pencil microphones that have an MMP-C, MMP-E or MMP-G preamp. By wrapping the coil around the cable of the microphone preamp, the mount allows the microphone to be hung from the ceiling or the like and be oriented in any direction desired, just by bending the holder.
 

The S5 Surround Mount is a highly versatile and stylish microphone mount.

 

The Surround Mount provides extreme flexibility due to its unique building block design. It allows for numerous configurations while providing visual elegance.

 

In the concert hall, the mount is hardly visible and completely non-light reflective.

 

The mount is equally suitable for fixed installations and mobile setups and can be neatly packed away into the supplied briefcase for easy transportation.

 

Compact and extremely lightweight, the Surround Mount is very strong and stable.

 

Although the array is optimized for use with DPA microphones, it accommodates all microphone holders, and a broad variety of surround microphone arrays can be set up very neatly.

 

Arrays like OCT2, Hamasaki Square, Fukada Tree, and the DPA speciality WCSA (Wide Cardioid Surround Array) are possible with the S5.

 

Expandability is possible at all times and only your imagination is the limit. It's elegant, yet unobtrusive, qualities and ability to reproduce any array accurately makes the S5 an obvious choice.

 

The S5 comes with a measuring tape and the unique DPA protractor, making precise distance and angling possible without having large and clumsy devices permanently fixed on the booms.

The lightweight SBS0400 stereo boom with shock mounted microphone holders addresses the need for quick, precise and repeatable ways to switch between AB, XY, ORTF, and DIN stereo principles.

The shock mounts included in the SBS0400 hold both omnidirectional and directional microphones – compact as well as larger. Based on the Rycote® Lyre™ suspension system almost any microphone can be used simply by adding another Lyre™ rubber piece.

Markers indicate parallel microphones positioning plus 90 and 110 degrees offset for XY an ORTF configurations. A central base with rotary joint allows the microphones to be angled equally. SB0400 has hooks for suspending the boom in wires.

The standard length is 40 cm (1.3 ft) but the boom can be further extended at your wish by adding modular carbon fiber poles. Also more holders can be attached to it for mounting of more than two microphones.

The lightweight SB0400 stereo boom – with or without shock mounted microphone holders - addresses the need for quick, precise and repeatable ways to switch between AB, XY, ORTF, and DIN stereo principles.

Markers indicate parallel microphones positioning plus 90 and 110 degrees offset for XY an ORTF configurations. A central base with rotary joint allows the microphones to be angled equally. SB0400 has hooks for suspending the boom in wires.

The standard length is 40 cm but the boom can be further extended at your wish by adding modular carbon fiber poles. Also more holders can be attached to it for mounting of more than two microphones.

The Stereo Boom is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings.

You can adjust both microphone spacing and microphone angle. The boom can be mounted on a stand or suspended from wires. It has centimeter graduations on the boom and angle graduations on the microphone holder for quick and easy configuration of the recording set-up.

The UA0837 Stereo Boom is available as Stereo Boom only or as a set with two UA0961 Microphone Holders as UA0836. Any microphone holder will fit the boom.

Boom length: 54 cm

The UA0837 is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings.

It has adjustment possibilities for both microphone spacing and microphone angle.

The boom can be mounted on a stand, or suspended from wires, and has centimeter graduations on the boom and angle graduations on the microphone holders for quick and easy configuration of the recording set-up.

The UA0837 is supplied without microphone holders, but can also be ordered with two UA0961 Microphone Holders as UA0836. Any microphone holder will fit the boom.

The stereo boom can be fitted with the DUA0019 19 mm spacer, which allows you to assemble an XY stereo or ORTF stereo setup with two Standard Cardioid Microphones Type 4011-TL or 4012.

Length: 54 cm.

The DUA0019 is a 19 mm spacer which allows Standard Cardioid Microphones Types 4011-TL and 4012 to be used in XY stereo or ORTF stereo setups on the UA0836 and UA0837 Stereo Booms.