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Our omnidirectional pencil microphones
An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.
Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.

 

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DPA 2006A Kondensatormikrofon, Omni
2006A
2006A Kondensatormikrofon Omni
Redefining value for money
The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design.
The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology.
Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money.
Modular upgradability
2006A is part of the flexible DPA Reference Standard series.
The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.
At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp.
Twin Diaphragm Capsule technology
The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league.
In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area.
The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision.
Dedicated to acoustic authenticity
Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications.
As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid.
Pris exkl.8 660.00
DPA 2006C Kondensatormikrofon Compact, Omni
2006C
2006 Twin Diaphragm Omnidirectional Microphone
Distinctive, well-balanced sound
  • Acoustic authenticity
  • Linear throughout a large frequency bandwidth
  • Twin-Diaphragm Capsule Technology
  • Modular flexibility
Our unique Twin Diaphragm Omni Mic Capsule is at the heart of these amazing microphones. This capsule gives the mic a distinctive, well-balanced sound and bridges the gap between the extreme sound quality of our pencil microphones and our well-known lavalier microphones.
Two opposite-facing miniature capsules are custom rebuilt inside this microphone. They are placed into a double-diaphragm, one-capsule composition. This combines the advantages of small capsules with the lower inherent noise achieved from a larger diaphragm area. These capsules provide fast impulse response and large frequency bandwidth. The capsules are loaded to our supreme preamps, which gives the sound more air and precision.

 

Pris exkl.7 240.00
DPA 4006 Kondensatormikrofon, Omni
4006A
Timeless transparency
 
The versatile DPA 4006A is without doubt the most popular mic in our standard range and has rightly earned its status as a worldwide recording standard.

This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound.

The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications.

Renaissance microphone
 
With the 4006A, engineers, broadcasters and musicians alike can achieve extremely clean, natural and precise reproduction in a variety of applications.

Ideal for A-B stereo pairs for symphonic concert hall recordings, the 4006A also excels on vocals and for close-miking instruments like grand piano, guitar, double bass and percussion.

Seven tools in one
 
A wide selection of acoustic modification accessories, including pressure equalizers, nose cone and interchangeable protection grids, allows the 4006A to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value.

By simply changing a grid or mounting an element over the capsule, it is possible to gain seven unique frequency responses and directional characteristics from a single mic.

Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.
 
Pris exkl.20 410.00
DPA 4006 Omni microphone Compact
4006C
Full-bodied sound from a small-bodied mic
 
Wherever a small, lightweight,  inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice.

They are particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture.

The 4006C can be mounted, hung or concealed to create clean, transparent recordings. It is ideal in theatres, opera and concert halls or places of worship where there is a live audience, and for film applications, both in the studio and on location.

These mics are also popular with musicians for close-miking instruments such as double bass, trumpet and piano. At the same time they are wonderful for ambience miking on soundstages, in sports stadiums and other environments where audience sound needs to be recorded.

Seven tools in one
 
A wide selection of acoustic modification accessories, including pressure equalizers, nose cone and interchangeable protection grids, allows the 4006C to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value.

By simply changing a grid or mounting an element over the capsule, it is possible to gain seven unique frequency responses and directional characteristics from a single mic.

Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.
 
Pris exkl.19 010.00
DPA 4090 Omni microphone, Normal SPL
4090
DPA 4090
Natural and open sound
  • Natural and open sound
  • For instrument miking in the studio or on the stage
  • 4090: For acoustic guitar, strings, piano and wind instruments
This is a high-quality omnidirectional condenser microphone. Due to its uniquely natural and open sound, the 4090 is suitable for instrument-miking applications in the studio or on the stage.
With 134 dB SPL handling, this microphone can be used with essentially any instrument from acoustic guitar and strings to piano and wind instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning.
The rugged and compact design features a 5.4 mm (.21 in) diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).

 

Pris exkl.5 400.00
DPA 4091 Omni microphone, Loud SPL
4091
DPA 4091
Natural and open sound
  • Natural and open sound
  • For instrument miking in the studio or on the stage
  • 4091: Handles high-SPL with ease
This is a high-quality omnidirectional condenser microphone. Due to its uniquely natural and open sound, the 4090 is suitable for instrument-miking applications in the studio or on the stage.
With 144 dB SPL handling, this microphone can meet just about any challenge including miking an electric guitar amp.
It is also an excellent microphone for use with percussion instruments as well as wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning.
The rugged and compact design features a 5.4 mm diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm.
Pris exkl.5 400.00

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