Mikrofonkit

• Sensitivity selected pair
• Acoustic authenticity
• Linear in a large frequency bandwidth
• Peli^TM Case transportation and protection

The DPA ST2006A is a complete DPA 2006A Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB.

As main AB stereo pair the 2006As deliver precise acoustic fingerprint and true tone. Orchestra, acoustic piano, guitar, wind instruments and choirs are among the most evident applications for this high-value-for-money pair.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone and accessory inlays.

Included in this kit

Two carefully matched 2006A omni microphones, sturdy Peli^TM case, holders, and windscreens.

• carefully matched microphones
• compact size and natural sound
• full-bodied sound from a small-bodied mic
• Peli^TM Case transportation and protection

Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings.

The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 4006C omni microphones, sturdy Peli^TM case, holders, grids and windscreens.

• Sensitivity selected pair
• Superb stage separation and level control
• All-round workhorses
• Peli^TM Case transportation and protection

The DPA ST2011A is a complete DPA 2011A Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain.

Finding its use on numerous stages and recording sessions, the ST2011A exhibits a previously unheard blend of clarity, richness and dynamic range, the 2011As perform close to much more exclusive microphone pairs.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 2011A cardioid microphones, sturdy Peli^TM case, holders, and windscreens.

• Sensitivity selected pair
• Superb stage separation and level control
• Low profile mounting options
• Peli^TM Case transportation and protection

The DPA ST2011C is a complete DPA 2011C Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain.

The compact design and controlled directionality of our versatile 2011Cs make them an excellent choice for spot mics for classical recording and on-stage close mics for live sound.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 2011C cardioid microphones, sturdy Peli^TM case, holders, grids and windscreens.

• carefully matched microphones
• high sensitivity, low noise-floor and extremely linear frequency
• Peli^TM case transportation and protection

The DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.

The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays.

Included in this kit
Two carefully matched 4006A omni microphones, sturdy Peli^TM case, holders, grids and windscreens.

• carefully matched microphones
• compact size and natural sound
• full-bodied sound from a small-bodied mic
• Peli^TM Case transportation and protection

Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings.

The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit
Two carefully matched 4006C omni microphones, sturdy Peli^TM case, holders, grids and windscreens.

• World-wide cardioid reference mic
• Handles very high sound pressure levels
• Carefully matched within ±1 dB
• Peli^TM Case transportation and protection

4011A cardioids are exceptionally linear in their frequency response – also off axis, giving you the natural experience. They handle extremely high SPL and will therefore allow for close placement and are often used for piano recordings with a placement closer to the hammers or as overheads for drums.

The DPA ST4011A is a complete DPA 4011A Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4011A microphones are matched within ±1 dB on both frequency response and sensitivity.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlay.

Included in this kit

Two carefully matched 4011A cardioid microphones, sturdy Peli^TM case, holders, and windscreens.

• Excellent for both PA/Live and recording
• Carefully matched within ±1 dB
• Low profile mounting options
• Peli^TM Case transportation and protection

Whenever a small, lightweight, inconspicuous microphone for top-quality sound is required, the compact design and uniform unidirectional response of our versatile 4011C makes it the perfect choice. They are particularly popular as spot mics for classical recording and on-stage close mics for live sound.

The DPA ST4011C is a complete DPA 4011C Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

The specially selected DPA 4011C microphones are matched within ±1 dB on both frequency response and sensitivity.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

Included in this kit

Two carefully matched 4011C cardioid microphones, sturdy Peli^TM case, holders, and windscreens.

• Wide pickup area and natural sound

• Ambience pickup with some directionality

• Carefully matched within ±1 dB

• PeliTM Case transportation and protection

 

Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization.

 

The wide cardioid (also known as hemispheric) design covers a greater sound angle and is also an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra.

 

The DPA ST4015A is a complete DPA 4015A Stereo Pair with two carefully factory-matched wide cardioid microphones.

 

Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

 

The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity.

 

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

 

Included in this kit

Two carefully matched 4015A wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.

• Natural reproduction

• Carefully matched within ±1 dB

• Low profile – wide pickup area

• PeliTM Case transportation and protection

 

Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike.

 

Tremendously precise and natural sounding, the compact wide cardioids will excel when used on choirs, percussion setups, grand pianos, wind instruments, and much more.

 

Also useful as spot mics for classical recording, the 4015C blends very naturally in with the main pair.

 

The DPA ST4015C is a complete DPA 4015C Stereo Pair with two carefully factory-matched wide cardioid microphones.

 

Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.

 

The specially selected DPA 4015C microphones are matched within ±1 dB on both frequency response and sensitivity.

 

The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays.

 

Included in this kit
Two carefully matched 4015C wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.