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Handmikrofoner

DPA 2028 Kondensatormikrofon, sång, Supernjure, Svart
2028-B-B01

DPA 2028 - Built for life on the road

  • Renowned DPA sound
  • Natural vocals – from folk to metal
  • Reduces feedback issues
  • Rugged enough for the live stage
  • Uniform supercardioid directionality
  • Extreme SPL handling
One mic allows you to capture true sound and produce an unforgettable show. Effortlessly. The 2028 Vocal Microphone is designed for the unique challenges of live stage performances. It is a flexible handheld vocal mic, which provides transparent, fantastic vocals to performers from a wide range of markets including live, HoW, broadcast, etc. Use it wired or together with your favorite wireless system, either way, just plug it in and hear the vocals shine like never before.
The 2028 sports a supercardioid capsule with the famously flat DPA off-axis response. This gives the microphone a very high gain-before-feedback and at the same time makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The 2028 picks up these off-axis sounds in the most natural way.
We have designed a brand new capsule for the 2028, which is an integral part of the mic. It is fixed in its position on top of the shock mount and can’t be dismounted. The newly-designed shock mount and pop filter have been developed specifically for the 2028.
On a live stage, the 2028 will deliver the same open and transparent sound that other DPA microphones deliver. In fact, it needs no (or very little) EQ to sound just like you are standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present, which puts less strain on them. In addition, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts. This amazing transparency is unique for DPA vocal mics.

DPA 4018 d:facto Kondensatormikrofon, Sång, Supernjure
4018V-B-B01
DPA 4018V d:facto
  • Excellent sonic reproduction
  • Extraordinarily natural sound
  • Perfectly uniform supercardioid directionality
  • High separation
  • Extreme SPL handling
  • Low handling noise
  • Sleek design
  • Flexible adapter system fits most professional wireless systems
The d:facto™ series brings true studio sound to the live stage and broadcasting studio. These mics are available in an extremely linear version as well as in a version with a high-end boost. The modular nature of the d:facto™ series allows you to switch the capsule as well as the adapter, making it the most flexible vocal microphone available on the market.
Engineered especially for vocal performances onstage, the d:facto™ holds a supercardioid capsule that is designed to reproduce every nuance of the human voice transparently, consistently and thrillingly. There are two versions available. The d:facto™ Linear Vocal Microphone (4018VL) is extremely linear. The d:facto™ Vocal Microphone (4018V) is linear but with a high-end boost. The 4018V  is often chosen because it ‘cuts through’ on a broadcasting set, where the content typically ends up transmitted to built-in television speakers with limited audio quality.
Besides the linearity / boost, these mics are identical. Both feature an isolation-optimized supercardioid polar pattern. This directional characteristic offers the best of two worlds –  from cardioid and supercardioid patterns. These mics can handle loud vocals with three-step pop-protection grid and best-in-class low handling noise. They also offer excellent sonic reproduction with all the detail and balanced linear phase and frequency response users have grown to trust for DPA Microphones. 
Optimized for live performance
d:facto™ Vocal Microphones are the ultimate stage mics – no matter if the performance is taking place in a cozy club or the largest concert hall.
Like traditional supercardioid mics, the d:facto™ series enjoys high side- and rear rejection with a minimum of 9 dB attenuation to the sides. Yet it is not bound by the less desirable aspects of the supercardioid like the uncontrolled and nonlinear rear lobes, which can create feedback from stage wedges, because there is a sudden high frequency peak at the backside of the mic.
The d:facto™ series has a wider acceptance angle at the front of the mic than most supercardioids. The acceptance angle is identical to a first-order cardioid at ±60 degrees off-center, resulting in the same work field as a cardioid — just with extremely high and uniform side and rear damping.
DPA 4018 d:facto Kondensatormikrofon, Sång, Supernjure, linjär
4018VL-B-B01

DPA 4018VL d:facto

  • Excellent sonic reproduction
  • Extraordinarily natural sound
  • Perfectly uniform supercardioid directionality
  • High separation
  • Extreme SPL handling
  • Low handling noise
  • Sleek design
  • Flexible adapter system fits most professional wireless systems

The d:facto™ series brings true studio sound to the live stage and broadcasting studio. These mics are available in an extremely linear version as well as in a version with a high-end boost. The modular nature of the d:facto™ series allows you to switch the capsule as well as the adapter, making it the most flexible vocal microphone available on the market.

Engineered especially for vocal performances onstage, the d:facto™ holds a supercardioid capsule that is designed to reproduce every nuance of the human voice transparently, consistently and thrillingly. There are two versions available. The d:facto™ Linear Vocal Microphone (4018VL) is extremely linear. The d:facto™ Vocal Microphone (4018V) is linear but with a high-end boost. The 4018V  is often chosen because it  ‘cuts through’ on a broadcasting set, where the content typically ends up transmitted to built-in television speakers with limited audio quality.

Besides the linearity / boost, these mics are identical. Both feature an isolation-optimized supercardioid polar pattern. This directional characteristic offers the best of two worlds –  from cardioid and supercardioid patterns. These mics can handle loud vocals with three-step pop-protection grid and best-in-class low handling noise. They also offer excellent sonic reproduction with all the detail and balanced linear phase and frequency response users have grown to trust for DPA Microphones.

Optimized for live performance

d:facto™ Vocal Microphones are the ultimate stage mics – no matter if the performance is taking place in a  cozy club or the largest concert hall.

Like traditional supercardioid mics, the d:facto™ series enjoys high side- and rear rejection with a minimum of 9 dB attenuation to the sides. Yet it is not bound by the less desirable aspects of the supercardioid like the uncontrolled and nonlinear rear lobes, which can create feedback from stage wedges, because there is a sudden high frequency peak at the backside of the mic.

The d:facto™ series has a wider acceptance angle at the front of the mic than most supercardioids. The acceptance angle is identical to a first-order cardioid at ±60 degrees off-center, resulting in the same work field as a cardioid — just with extremely high and uniform side and rear damping.