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Processing & Dynamics

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Antal artiklar 6
Radial SPACE HEATER 500
R700 0152 00
Radial Space Heater 500 Tube Saturation Effect
The Radial Space Heater 500 is a studio-grade tube distortion for the 500 series format, built to provide anything from subtle warmth to thick and heavy harmonic distortion.
  • Studio grade 12AX7 tube distortion
  • Heat switch adjusts voltage applied to the tube
  • Variable high-cut and low-cut filters to focus distortion
  • Transformer coupled output for vintage tone
Warm up your digital tracks
The Space Heater 500 is an analog tube saturation and distortion module for use with the Radial Workhorse or any 500 series rack, with an oversized output transformer and vacuum tube drive circuit for vintage warmth and character. A three-position heat switch provides the ability to adjust the voltage on the 12AX7 tube - lower voltage settings starve the tube for a more pronounced distortion effect. Separate Drive and Level controls give you complete control over the tube circuit, providing a range of tones that allow you to fatten up digital stems or provide a distorted effect on vocals, guitars or drums. The Space Heater 500 also features sweepable high-pass and low-pass filters that can be assigned 'pre or post' tube, allowing you to focus the tube effect on a particular frequency band or cause the tube to react in a different way.
Pris exkl.7 810.00
Radial Tankdriver 500
R700 0136 00
Radial Tank Driver Spring Reverb Interface
Balanced Reverb Tank Interface
The Tank Driver™ is a unique 500 series modules that allows you to drive balanced line level signals through guitar amp reverb tanks, optimized to work with both modern and vintage spring reverb models.
  • Balanced interface for guitar spring reverbs
  • Use the spring reverb in your guitar amp for mixing
  • Add unique reverb effects to your recordings
  • Optimized drive circuit for low noise operation
Create unique tones with your existing spring reverb
With the Tank Driver, you can take any balanced line level signal or prerecorded track and play it through your favorite spring reverb. Think of it like a Reamp device for the reverb tank in your amplifier, allowing you to send vocals, drums, or any audio material through any spring reverb for a whole new palette of sonic options. The design begins with a transformer coupled output driver with normal and high settings for new and old spring reverbs alike. Separate drive and return controls allow signal optimization to maximize signal to noise. To further tailor the tone, the Tank Driver is equipped with two tone controls that let you adjust the high end (shimmer) as well as low frequency content (boom).
Pris exkl.3 420.00
Radial PreComp - Mic Preamp and Compressor
R700 0114 00
Radial PreComp Microphone Preamplifier and Compressor
The PreComp™ channel strip is a combination preamplifier and compressor made for the popular 500 series rack format and designed to bring greater efficiency to the recording process by simplifying gain stage management.
  • Combination preamp and compressor
  • AccuState gain control for low noise operation
  • Full-function compressor for dynamic control
  • Each processor may be accessed separately
Clean gain and dynamic control
The PreComp performs the functions of both a microphone preamp and a compressor. The preamp stage can deliver in excess of 60dB to handle all types of microphones, and comes equipped with Radial's unique AccuState gain control to maximize signal-to-noise at all levels. A full-feature VCA compressor follows with adjustable threshold, compression ratio and gain make-up controls. The advanced compression algorithm reads the program material and automatically transitions from soft-knee to hard knee as the signal rises above the threshold, with A simple slow-fast switch that makes it easy to optimize the PreComp for either vocals or percussion.
Pris exkl.3 910.00
Radial PhazeQ
R700 0140 00
Radial PhazeQ Phase Adjuster
Class-A Phase Alignment Module
The PhazeQ is an analog phase alignment tool designed to work with any 500 series rack, allowing you bring two sound sources together so that the fundamentals play in sync.
  • Phase-align two signals for exceptional clarity
  • 100% analog, Class-A audio circuit
  • Variable phase shift for precise alignment
  • Low-pass filter lets you focus the effect
Align your tracks for improved sound
The PhazeQ is a unique 500 series studio tool that sums two line-level signals together using class-A analog circuitry, providing the ability to quickly and accurately phase-align any tracks for improved clarity and tone. Once in phase, the results are impressive: On electric guitar; you can combine the direct feed of an amp with a room mic to create fat rich tones. On a kick drum, combine the attack from a batter head mic with the body captured by the outer shell mic, or the top and bottom mic's on a snare drum. With acoustic instruments, combine a close 'spot' mic with a room mic to capture textures like never before.
 
Pris exkl.3 420.00
Radial KOMIT Compressor Limiter
R700 0150 00
Radial Komit Compressor & Limiter
The Komit is a streamlined dynamics processor that that combines a super-clean compressor circuit with an old school diode-bridge clipping limiter, for creative tone shaping with maximum flexibility.
  • Transparent auto-tracking VCA compressor
  • Old school diode-bridge clipping limiter
  • Brick wall limiter setting for set & forget operation
  • Hammond input & output transformers for vintage tone
A dynamics processor with character
The Komit provides superior dynamics control that one would expect from a studio grade compressor/limiter, along with vintage character and tone to help your tracks stand out in the mix. A transparent VCA compressor is easily configured with a three-position switch to set the speed of the attack & release times, a variable compression ratio, and a makeup gain control. This is augmented with an old school diode-bridge clipping limiter, with ten settings that increasingly clip the input signal for results that range from subtle analog clipping to over-the-top distortion. The limiter can also be set for brick wall operation to prevent overloading digital recorder inputs, and both the inputs and outputs feature vintage style Hammond broadcast transformers add extra warmth to the signal path.
 
Pris exkl.5 680.00
Radial JDX 500
R700 0122 00
Radial JDX 500 Guitar Amp Interface
Amplifier Interface and Cabinet Simulator
The JDX-500 is a 500 series guitar amplifier interface that allows you to capture the tone of a guitar amp and cabinet without the need for a microphone.
  • Guitar amp interface and cabinet simulator
  • Direct amp recording without a microphone
  • Works equally well on electric guitar and bass
  • Delivers consistent tone every time
Record the tone of your amp without a microphone
The JDX-500 makes it easy to get a consistent and natural sounding amp recording by taking a feed directly from your amplifier and employing Radial's popular JDX speaker emulation, producing an effect similar to placing a dynamic microphone in front of a 4x12 half stack cabinet. This gives you the same tone for every recording session, without forcing you to rely on the same microphones to be available, or spending valuable studio time fiddling with mic placement to match previous recordings. The JDX-500 delivers the sound of your amp without any fuss, simplifying your recording setup without sacrificing on tone.
 
Pris exkl.3 420.00

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